Ghost Stories

Fulton Oursler

Oursler moved to New York City to edit The Music Trades. He freelanced for a variety of publications early on. His short stories appeared in The Black Cat, Detective Story Magazine, The Thrill Book, and especially Mystery Magazine. Many of his stories, such as "The Magician Detective", incorporate magicians and magic into the plots.
In the 1920s, Oursler aided Harry Houdini in his crusade against fraudulent mediumship. He himself crusaded under the pseudonym Samri Frikell. He was the author of the book Spirit Mediums Exposed (1930), which revealed the techniques of fraud mediums.
John Mulholland wrote that Samri Frikell was the pen name of Oursler when he wrote on the subject of magic and spiritualism. He made it by combining the names of two magicians, Samri Baldwin and Wiljalba Frikell.
He was supervising editor of the various magazines and newspapers published by Bernarr Macfadden, from 1921 to 1941. Macfadden urged him to drop the "Charles" from his name. He became editor of Liberty after Macfadden acquired it in 1931. In the fall of 1939, Fulton Oursler, as editor of Liberty, printed a piece in his magazine called "Alcoholics and God," which brought a rush of 800 frantic inquiries into the New York office of Alcoholics Anonymous, as it was to be known.
Oursler left Macfadden Publications shortly after Macfadden was ousted from the company. Oursler's tenure with the company was continuous from 1921 to 1941, except for a brief period following the success of The Spider (1928).
In 1944, he became a senior editor for Reader's Digest (where his son eventually became managing editor).
Oursler wrote a number of novels. These include Sandalwood (1925), Stepchild of the Moon (1926) and The World's Delight (1929). He also wrote detective stories and magazine articles under the pseudonym Anthony Abbot, as well as several plays, the most famous of which was the gimmick-filled The Spider (1928), co-written with Lowell Brentano and later filmed twice, in 1931 and 1945. The great success of the play attracted four plagiarism suits, which were successfully defended by Oursler's private attorney, Arthur Garfield Hays.